• 1248
• Articles
• 01 Set 2021

2021/22 TEMPORARY CALENDAR   Le nozze di Figaro  (Wolfgang Amadeus Mozart) September 29-30, 2021 October 1°-02-03,  2021 Die Zauberflöte (Wolfgang Amadeus Mozart)  October 10-15-22-30, 2021 November 21-24, 2021 December 03-10-16, 2021 January 16-23, 2022 February 18-25, 2022 March 13-27-28-30, 2022 April 28-30, 2022 June 08, 2022 Don Giovanni (Wolfgang Amadeus Mozart)  November 03-04-05-06-07 2021 March 20-25, 2022 April 09-17-24, 2022 The Little Sweep (Benjamin […]

• 1124
• Articles
• 02 Apr 2021

Season 2020/2021 2020 10 – 14 – 23 – 24 October – Die Zauberflöte – Wolfgang Amadeus Mozart 1° November – Die Zauberflöte – Wolfgang Amadeus Mozart 2021 14 January – Don Giovanni, ossia Il dissoluto punito – Wolfgang Amadeus Mozart 16 January – L’elisir d’amore – Gaetano Donizetti 20 January – Die Zauberflöte – Wolfgang […]

• 1262
• Articles
• 13 Dic 2020

“Sur les lagunes” – “Les Nuits d’Été” Op. 7 N.°3 – Original version for Baritone voice and Piano – Ed. Catelin – Paris – 1841 – Hector Berlioz (1803 – 1869). Baritone Luca Casagrande Piano Monique Ciola Artistic Director and Producer Luca Casagrande. Centaurus Music Int. Studio Recording – ” Hector Berlioz – Le Nuits […]

• 1615
• Articles
• 12 Dic 2020

  “New York – February 06, 2017 – A very interesting record operation: two CDs dedicated to the “Cantate à ‘solo” (“Solo Cantatas”) and Duets by Agostino Steffani (1654 – 1728) have been remastered and collected in a single CD (Centaurus Music Int.). The new sound is clear and bright, it gives an increased feeling […]

• 1502
• Articles
• 23 Ago 2020

Giovanni Battista Martini (1706 – 1784) – “MADRIGALE RUSTICO o MADRIGALE RUSTICO A DUE VOCI DI GIO.BATTA MABNITI IN CULICOTIDONIA” (1745) – From the manuscript “Dodici Duetti Buffi” (1745-46) – Civico Museo Bibliografico Musicale di Bologna (Italy). Centaurus Music Int. LIVE Recording “Giovanni Battista Martini – Duetti Buffi e Duetti da camera – WORLD PREMIERE […]

• 2111
• Articles
• 24 Feb 2020

Probably one of the most famous operas by Donizetti, Lucia di Lammermoor is an « extraordinary triumph » since its creation at the Teatro San Carlo di Napoli in 1835, thanks to an exalted composition and to a simple and effective libretto, but also thanks to its (many) successives singers. Lucia di Lammermoor experienced a […]

• 2231
• Articles
• 24 Feb 2020

Callas is Medea. Of course, she was Tosca and a host of other operatic characters as well, thanks to her uncanny ability to adapt her voice and style to the requirements of a role, but Medea is high among her most complete characterizations. It also was a role she sang often–too often for the health […]

• 2798
• Articles
• 24 Feb 2020

One popular view of Vincenzo Bellini’s Norma is that the title role is so outrageously difficult to sing—and the work itself so little worth doing if you haven’t a soprano up to the mark—that the opera has only survived, in the years since its première in 1831, as a vehicle for a few particularly endowed […]

• 2669
• Articles
• 24 Feb 2020

Abstract: I Puritani is the masterpiece that crowned the creation of the Italian composer Vincenzo Bellini, being remarked and appreciated for the richness of his melodicity and profound symbols filled with the inspiration and creativity of a creator. This was the last of the ten works composed by Bellini, whose disappearance was premature, at only […]

• 3027
• Articles
• 24 Feb 2020

Vincenzo Salvatore Carmelo Francesco Bellini was one of the most important composers of Italian opera in his time. He was born in 1801 in Catania, Sicily, to a family already steeped in music; his father and grandfather were both career musicians. He began composing before receiving any formal music education. Bellini developed a reputation for […]