{"id":4483,"date":"2017-10-03T17:01:24","date_gmt":"2017-10-03T16:01:24","guid":{"rendered":"http:\/\/www.luca-casagrande.com\/blog\/?p=4483"},"modified":"2017-10-03T17:01:24","modified_gmt":"2017-10-03T16:01:24","slug":"maria-callas-care-compagne-come-per-me-sereno-sovra-il-sen-la-man-mi-posa-cavatina-of-amina-la-sonnambula-1831-i-act-ii-scene-vincenzo-bellini-1801-1835","status":"publish","type":"post","link":"https:\/\/luca-casagrande.com\/blog\/maria-callas-care-compagne-come-per-me-sereno-sovra-il-sen-la-man-mi-posa-cavatina-of-amina-la-sonnambula-1831-i-act-ii-scene-vincenzo-bellini-1801-1835\/","title":{"rendered":"Maria Callas &#8211; &#8220;Care Compagne &#8230; Come per me sereno &#8230; Sovra il sen la man mi posa&#8221; Cavatina of Amina &#8211; &#8220;La sonnambula&#8221; (1831) I Act II Scene &#8211; Vincenzo Bellini (1801 &#8211; 1835)"},"content":{"rendered":"<p>Maria Callas &#8211; &#8220;Care Compagne &#8230; Come per me sereno &#8230; Sovra il sen la man mi posa&#8221; Cavatina of Amina &#8211; &#8220;La sonnambula&#8221; (1831) I Act II Scene &#8211; Vincenzo Bellini (1801 &#8211; 1835).<br \/>\nNOTE: Callas begins the scene almost behind the scenes, so the sound initially comes from afar. Then Callas moves to center stage.<br \/>\n&#8211;<br \/>\nBJR LIVE Recording &#8211; &#8220;Vincenzo Bellini &#8211; La sonnambula&#8221; &#8211; \u2117 1980<br \/>\nRecording of a performance in K\u00f6ln (D) by the La Scala company (July 4, 1957.<span class=\"text_exposed_show\"><br \/>\n&#8211;<br \/>\nConductor M.\u00b0 Antonino Votto<br \/>\nOrchestra &#8211; Teatro alla Scala<br \/>\nChorus &#8211; Teatro alla Scala<br \/>\nCast:<br \/>\nAmina &#8211; Maria Callas<br \/>\nElvino &#8211; Nicola Monti<br \/>\nRodolfo &#8211; Nicola Zaccaria<br \/>\nLisa &#8211; Mariella Angioletti<br \/>\nAlessio &#8211; Dino Mantovani<br \/>\nNotaro &#8211; Franco Ricciardi<br \/>\nTeresa &#8211; Fiorenza Cossotto.<br \/>\n&#8211;<br \/>\n&#8220;Care compagne&#8221; &#8211; &#8220;La sonnambula&#8221;<br \/>\nLyrics by Felice Romani<br \/>\nMusic by Vincenzo Bellini.<\/span><\/p>\n<div class=\"text_exposed_show\">\n<p>AMINA<br \/>\nCare compagne, e voi<br \/>\nteneri amici, che alla gioia mia<br \/>\ntanta parte prendete, oh come dolci<br \/>\nscendon d&#8217;Amina al core<br \/>\ni canti che v&#8217;inspira il vostro amore!<\/p>\n<p>CORO<br \/>\nVivi felice! \u00e8 questo<br \/>\nil comun voto, o Amina.<\/p>\n<p>AMINA<br \/>\nA te diletta,<br \/>\ntenera madre, che a s\u00ec lieto giorno<br \/>\nme orfanella serbasti,<br \/>\na te favelli questo,<br \/>\ndal cor pi\u00f9 che dal ciglio espresso,<br \/>\ndolce pianto di gioia,<br \/>\ne questo amplesso.<br \/>\nCompagne&#8230;teneri amici&#8230;<br \/>\nah madre, ah qual gioia!<br \/>\nCome per me sereno<br \/>\noggi rinacque il d\u00ec!<br \/>\nCome il terren fior\u00ec<br \/>\npi\u00f9 bello e ameno!<br \/>\nMai di pi\u00f9 lieto aspetto<br \/>\nnatura non brill\u00f2:<br \/>\namor la color\u00f2<br \/>\ndel mio diletto.<\/p>\n<p>TUTTI<br \/>\nSempre, o felice Amina,<br \/>\nsempre per te cos\u00ec<br \/>\ninfiori il cielo i d\u00ec<br \/>\nche ti destina.<br \/>\n(Amina abbraccia Teresa e prendendole una mano, se<br \/>\nl&#8217;avvicina al core.)<\/p>\n<p>AMINA<br \/>\nSovra il sen la man mi posa,<br \/>\npalpitar, balzar lo senti;<br \/>\negli \u00e8 il cor che i suoi contenti<br \/>\nnon ha forza a sostener.<\/p>\n<p>TUTTI<br \/>\nDi tua sorte avventurosa<br \/>\nteco esulta il cor materno:<br \/>\nnon potea favor superno<br \/>\nriserbarlo a ugual piacer.<\/p>\n<p>&#8211;<\/p>\n<p>AMINA<br \/>\nDear friends, beloved companions<br \/>\nof my girlhood, who share<br \/>\nso much in my joy, how sweet<br \/>\nto my heart is the song<br \/>\nyour love inspires!<\/p>\n<p>CHORUS<br \/>\nMay you be happy, Amina<br \/>\nthis is everyone&#8217;s wish<\/p>\n<p>AMINA<br \/>\nFor you, my beloved,<br \/>\ntender mother, who saved me,<br \/>\nan orphan, for this happy day,<br \/>\nlet my joy speak,<br \/>\nand my tears that come more from my heart<br \/>\nthan from my eyes &#8212;<br \/>\nand this embrace.<br \/>\nDear friends&#8230;companions&#8230;<br \/>\nMother!&#8230;what joy!<br \/>\nHow peacefully for me<br \/>\nthis day is born again!<br \/>\nAll the earth is blooming<br \/>\nmore lovely and more fair!<br \/>\nNature never was a-glow<br \/>\nwith happier countenance:<br \/>\nLove has coloured it<br \/>\nwith my own delight.<\/p>\n<p>ALL<br \/>\nOh, happy Amina, always,<br \/>\nalways thus for you<br \/>\nlet Heaven deck the days<br \/>\nthat are granted you.<br \/>\n(Amina embraces Teresa and, taking her hand, places it<br \/>\nover her heart.)<\/p>\n<p>AMINA<br \/>\nPlace your hand upon my heart,<br \/>\nyou can feel it beating;<br \/>\nIt&#8217;s a heart that cannot hold<br \/>\nall the joy it feels.<\/p>\n<p>ALL<br \/>\nNow your mother&#8217;s heart rejoices<br \/>\nwith you in your lucky fate;<br \/>\nprovidence could not bestow<br \/>\ngreater pleasure upon her.<\/p>\n<p><iframe loading=\"lazy\" title=\"Callas BJR 152 - La Sonnambula Cologne 1957 - Care Compagne...Sovra Il Sen La Man Mi Posa\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/Yt7LsWBvOgE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Maria Callas &#8211; &#8220;Care Compagne &#8230; Come per me sereno &#8230; Sovra il sen la man mi posa&#8221; Cavatina of Amina &#8211; &#8220;La sonnambula&#8221; (1831) I Act II Scene &#8211; Vincenzo Bellini (1801 &#8211; 1835). NOTE: Callas begins the scene almost behind the scenes, so the sound initially comes from afar. Then Callas moves to [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":4484,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-4483","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles"],"_links":{"self":[{"href":"https:\/\/luca-casagrande.com\/blog\/wp-json\/wp\/v2\/posts\/4483","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/luca-casagrande.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/luca-casagrande.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/luca-casagrande.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/luca-casagrande.com\/blog\/wp-json\/wp\/v2\/comments?post=4483"}],"version-history":[{"count":1,"href":"https:\/\/luca-casagrande.com\/blog\/wp-json\/wp\/v2\/posts\/4483\/revisions"}],"predecessor-version":[{"id":4485,"href":"https:\/\/luca-casagrande.com\/blog\/wp-json\/wp\/v2\/posts\/4483\/revisions\/4485"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/luca-casagrande.com\/blog\/wp-json\/wp\/v2\/media\/4484"}],"wp:attachment":[{"href":"https:\/\/luca-casagrande.com\/blog\/wp-json\/wp\/v2\/media?parent=4483"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/luca-casagrande.com\/blog\/wp-json\/wp\/v2\/categories?post=4483"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/luca-casagrande.com\/blog\/wp-json\/wp\/v2\/tags?post=4483"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}