{"id":4241,"date":"2017-02-22T17:35:59","date_gmt":"2017-02-22T16:35:59","guid":{"rendered":"http:\/\/www.luca-casagrande.com\/blog\/?p=4241"},"modified":"2017-03-06T20:16:40","modified_gmt":"2017-03-06T19:16:40","slug":"luca-casagrande-se-stilicon-non-erra-il-viver-e-un-ombra-recitative-and-aria-of-pisone-act-ii-scene-ii-alarico-il-baltha-cioe-laudace-re-de-goti-1687-agostino-steffani-165","status":"publish","type":"post","link":"https:\/\/luca-casagrande.com\/blog\/luca-casagrande-se-stilicon-non-erra-il-viver-e-un-ombra-recitative-and-aria-of-pisone-act-ii-scene-ii-alarico-il-baltha-cioe-laudace-re-de-goti-1687-agostino-steffani-165\/","title":{"rendered":"Luca Casagrande &#8211; &#8220;Se Stilicon non erra &#8230; Il Viver \u00e8 un&#8217; Ombra&#8221; Recitative and Aria of Pisone &#8211; Act II Scene II &#8211; &#8220;Alarico il Baltha, cio\u00e8 l&#8217;Audace, Re de Goti&#8221; (1687) &#8211; Agostino Steffani (1654 &#8211; 1728) &#8211; COMPLETE WORLD PREMIERE"},"content":{"rendered":"<p>Luca Casagrande &#8211; &#8220;Se Stilicon non erra &#8230; Il Viver \u00e8 un&#8217; Ombra&#8221; Recitative and Aria of Pisone &#8211; Act II Scene II &#8211; &#8220;Alarico il Baltha, cio\u00e8 l&#8217;Audace, Re de Goti&#8221; (1687) &#8211; Agostino Steffani (1654 &#8211; 1728) &#8211; COMPLETE WORLD PREMIERE.<\/p>\n<p>Centaurus Music Int. Studio Recording &#8220;Agostino Steffani &#8211; Alarico il Baltha, cio\u00e8 l&#8217;Audace R\u00e8 de Gothi (1687) &#8211; COMPLETE WORLDPREMIERE&#8221; &#8211; \u2117 2004<br \/>\nSecond remastered edition Concerto Classics &#8211; \u2117 2009<br \/>\n\u00a9 Luca Casagrande.<\/p>\n<p>Luca Casagrande Baritone<br \/>\nScarlatti Camera Ensemble<br \/>\nArtistic Direction and Production Luca Casagrande.<\/p>\n<p>&#8220;Apart from the overture, the music of Alarico consists of sixty-six arias, three duets, a coro of eight bars, three brief sinfonias, and recitative.<br \/>\n[&#8230;] the scoring of the arias with instruments is noticeably richer than in the earlier Marco Aurelio or Servio Tullio; in this respect Alarico marks an advance in the composer&#8217;s output\u2014one that sets a benchmark for Niobe and Henrico Leone. It also displays a very high proportion of da capo or dal segno arias, a large number of ostinatos, and an abnormal approach to tonality at the end of recitative.<br \/>\nNotwithstanding the emphasis on aria, Orlandi and Steffani tried to facilitate dramatic development. Recitative is seldom extensive, while arias may be brief and begin without ritornello or introduction.&#8221; (Colin Timms)<br \/>\nAct II SCENA II<\/p>\n<p>Pisone<\/p>\n<p>Se Stilicon non erra,<br \/>\nQui l\u2019Onor mio si svena; il Piede occulto<br \/>\nAlla Vendetta jo muovo, e qui nascosto<br \/>\nAttender\u00f2, che giunga<br \/>\nCon la Figlia impudica<br \/>\nL\u2019effeminato Augusto.<\/p>\n<p>Il Viver \u00e8 un\u2019Ombra,<br \/>\nSe \u00e0 Rai dell\u2019Honore<br \/>\nUn Sol non appar.<br \/>\nVil Anima ingombra<br \/>\nChi tanto Splendore<br \/>\nLasci\u00f2 vacillar.<\/p>\n<p><iframe loading=\"lazy\" title=\"&quot;Alarico il Baltha&quot; (1687) - &quot;Il Viver \u00e8 un&#039; Ombra&quot; - II Act Scene II - A. Steffani (1654 - 1728)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/GNFHNpfeCUo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Luca Casagrande &#8211; &#8220;Se Stilicon non erra &#8230; Il Viver \u00e8 un&#8217; Ombra&#8221; Recitative and Aria of Pisone &#8211; Act II Scene II &#8211; &#8220;Alarico il Baltha, cio\u00e8 l&#8217;Audace, Re de Goti&#8221; (1687) &#8211; Agostino Steffani (1654 &#8211; 1728) &#8211; COMPLETE WORLD PREMIERE. Centaurus Music Int. Studio Recording &#8220;Agostino Steffani &#8211; Alarico il Baltha, cio\u00e8 [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":4162,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-4241","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles"],"_links":{"self":[{"href":"https:\/\/luca-casagrande.com\/blog\/wp-json\/wp\/v2\/posts\/4241","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/luca-casagrande.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/luca-casagrande.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/luca-casagrande.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/luca-casagrande.com\/blog\/wp-json\/wp\/v2\/comments?post=4241"}],"version-history":[{"count":4,"href":"https:\/\/luca-casagrande.com\/blog\/wp-json\/wp\/v2\/posts\/4241\/revisions"}],"predecessor-version":[{"id":4263,"href":"https:\/\/luca-casagrande.com\/blog\/wp-json\/wp\/v2\/posts\/4241\/revisions\/4263"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/luca-casagrande.com\/blog\/wp-json\/wp\/v2\/media\/4162"}],"wp:attachment":[{"href":"https:\/\/luca-casagrande.com\/blog\/wp-json\/wp\/v2\/media?parent=4241"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/luca-casagrande.com\/blog\/wp-json\/wp\/v2\/categories?post=4241"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/luca-casagrande.com\/blog\/wp-json\/wp\/v2\/tags?post=4241"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}